#N canvas 233 179 684 516 12;
#X floatatom 57 459 0 0 0;
#N canvas 159 26 497 272 output 0;
#X obj 338 160 t b;
#X obj 338 110 f;
#X obj 338 60 inlet;
#X text 344 29 mute;
#X obj 338 185 f;
#X msg 425 178 0;
#X msg 338 85 bang;
#X obj 338 135 moses 1;
#X obj 425 153 t b f;
#X obj 397 117 moses 1;
#X obj 83 148 dbtorms;
#X obj 397 92 r master-lvl;
#X obj 83 42 r master-lvl;
#X obj 338 210 s master-lvl;
#X obj 22 182 inlet~;
#X obj 199 41 inlet;
#X text 199 18 level;
#X obj 199 100 s master-lvl;
#X msg 96 65 set \$1;
#X obj 96 89 outlet;
#X msg 214 64 \; pd dsp 1;
#X obj 83 194 line~;
#X obj 22 212 *~;
#X obj 22 241 dac~;
#X obj 83 171 pack 0 50;
#X text 20 159 audio;
#X text 93 110 show level;
#X connect 0 0 4 0;
#X connect 1 0 7 0;
#X connect 2 0 6 0;
#X connect 4 0 13 0;
#X connect 5 0 13 0;
#X connect 6 0 1 0;
#X connect 7 0 0 0;
#X connect 7 1 8 0;
#X connect 8 0 5 0;
#X connect 9 1 4 1;
#X connect 10 0 24 0;
#X connect 11 0 1 1;
#X connect 11 0 9 0;
#X connect 12 0 10 0;
#X connect 12 0 18 0;
#X connect 14 0 22 0;
#X connect 15 0 17 0;
#X connect 15 0 20 0;
#X connect 18 0 19 0;
#X connect 21 0 22 1;
#X connect 22 0 23 0;
#X connect 22 0 23 1;
#X connect 24 0 21 0;
#X restore 19 488 pd output;
#X msg 95 459 MUTE;
#X obj 19 211 osc-voice amp1 pit1;
#X obj 19 240 osc-voice amp2 pit2;
#X obj 19 269 osc-voice amp3 pit3;
#X obj 19 298 osc-voice amp4 pit4;
#X obj 19 327 osc-voice amp5 pit5;
#X obj 19 356 osc-voice amp6 pit6;
#X obj 19 385 osc-voice amp7 pit7;
#X obj 19 414 osc-voice amp8 pit8;
#X obj 467 382 qlist;
#X msg 389 226 stop;
#X msg 527 339 read qlist.txt;
#X obj 527 294 loadbang;
#X text 261 203 start;
#X text 391 202 stop;
#X text 537 318 reread file;
#X msg 470 238 rewind;
#X msg 538 238 next;
#X msg 258 254 tempo 100 \, bang;
#X msg 253 227 tempo 1 \, bang;
#X text 82 11 USING QLIST TO SEQUENCE AN OSCILLATOR BANK;
#X text 474 215 single step;
#X obj 556 454 r #;
#X text 35 61 Here is an eight voice additive synthesis patch controlled
by a qlist. Open a text editor on the file \, "qlist.txt" \, to see
how the oscillators' amplitudes and frequencies are specified. The
abstraction \, "osc-voice" \, shows an effective way to make patches
react to qlists but also to mousing.;
#X text 258 453 this is where qlist comments go:;
#X text 418 485 updatged for Pd version 0.34;
#X connect 0 0 1 1;
#X connect 1 0 0 0;
#X connect 2 0 1 2;
#X connect 3 0 4 0;
#X connect 4 0 5 0;
#X connect 5 0 6 0;
#X connect 6 0 7 0;
#X connect 7 0 8 0;
#X connect 8 0 9 0;
#X connect 9 0 10 0;
#X connect 10 0 1 0;
#X connect 12 0 11 0;
#X connect 13 0 11 0;
#X connect 14 0 13 0;
#X connect 18 0 11 0;
#X connect 19 0 11 0;
#X connect 20 0 11 0;
#X connect 21 0 11 0;
