Subsections

- Chord Names
  - Octave Adjustment
  - Altered Chords
  - Diminished Chords
  - Slash Chords
  - Chord Inversions
  - Barre Settings
- MIDI Voices
  - Voices, Alphabetically
  - Voices, By MIDI Value
- Drum Notes
  - Drum Notes, Alphabetically
  - Drum Notes, by MIDI Value
- MIDI Controllers
  - Controllers, Alphabetically
  - Controllers, by Value

#
Symbols and Constants

This appendix is a reference to the chords that MMA recognizes and name/value tables for drum and instrument names. The tables have been auto-generated by MMA using the -D options.

# Chord Names

MMA recognizes standard chord names as listed below. The names are case sensitive and must be entered in uppercase letters as shown:

A A A B B B C C C D D D E E E F F F G G G

Please note that in your input files you must use a lowercase “b” or an “&” to represent a and a “#” for a .

All “7th” chords are “dominant 7th” unless specifically noted as “major”. A dominant 7th has a flattened 7th note (in a C7 chord this is a b; a C Major 7th chord has a b).

For a more detailed listing of the chords, notes and scales you should download the document `www.mellowood.ca/mma/chords.pdf.gz`.

The following types of chords are recognized (these are case sensitive and must be in the mixed upper and lowercase shown):

5 | Augmented triad.
(add9) | Major chord plus sharp 9th (no 7th.)
(add9) | Major chord plus 9th (no 7th.)
(add9) | Major chord plus flat 9th (no 7th.)
(5) | Major triad with flat 5th.
+ | Augmented triad.
+7 | An augmented chord (raised 5th) with a dominant 7th.
+7911 | Augmented 7th with flat 9th and sharp 11th.
+9 | 7th plus 9th with sharp 5th (same as aug9).
+9M7 | An augmented chord (raised 5th) with a major 7th and 9th.
+M7 | Major 7th with sharp 5th.
11 | 9th chord plus 11th (3rd not voiced).
119 | 7th chord plus flat 9th and 11th.
13 | 7th (including 5th) plus 13th (the 9th and 11th are not voiced).
1311 | 7th plus sharp 11th and 13th (9th not voiced).
139 | 7th (including 5th) plus 13th and sharp 9th (11th not voiced).
135 | 7th with flat 5th, plus 13th (the 9th and 11th are not voiced).
139 | 7th (including 5th) plus 13th and flat 9th (11th not voiced).
13sus | 7sus, plus 9th and 13th
13sus9 | 7sus, plus flat 9th and 13th
5 | Altered Fifth or Power Chord; root and 5th only.
6 | Major tiad with added 6th.
6(add9) | 6th with added 9th. This is sometimes notated as a slash chord in the form “6/9”.
69 | 6th with added 9th. This is sometimes notated as a slash chord in the form “6/9”.
7 | 7th.
711 | 7th plus sharp 11th (9th omitted).
75 | An augmented chord (raised 5th) with a dominant 7th.
759 | 7th with sharp 5th and sharp 9th.
759 | An augmented chord (raised 5th) with a dominant 7th and flat 9th.
79 | 7th with sharp 9th.
7911 | 7th plus sharp 9th and sharp 11th.
7913 | 7th with sharp 9th and flat 13th.
7(omit3) | 7th with unvoiced 3rd.
7+ | An augmented chord (raised 5th) with a dominant 7th.
7+5 | An augmented chord (raised 5th) with a dominant 7th.
7+9 | 7th with sharp 9th.
7-5 | 7th, flat 5.
7-9 | 7th with flat 9th.
7alt | 7th with flat 5th and flat 9th.
75 | 7th, flat 5.
759 | 7th with flat 5th and sharp 9th.
759 | 7th with flat 5th and flat 9th.
79 | 7th with flat 9th.
7911 | 7th plus flat 9th and sharp 11th.
7omit3 | 7th with unvoiced 3rd.
7sus | 7th with suspended 4th, dominant 7th with 3rd raised half tone.
7sus2 | A sus2 with dominant 7th added.
7sus4 | 7th with suspended 4th, dominant 7th with 3rd raised half tone.
7sus9 | 7th with suspended 4th and flat 9th.
9 | 7th plus 9th.
911 | 7th plus 9th and sharp 11th.
95 | 7th plus 9th with sharp 5th (same as aug9).
9+5 | 7th plus 9th with sharp 5th (same as aug9).
9-5 | 7th plus 9th with flat 5th.
95 | 7th plus 9th with flat 5th.
9sus | 7sus plus 9th.
9sus4 | 7sus plus 9th.
M | Major triad. This is the default and is used in the absense of any other chord type specification.
M13 | Major 7th (including 5th) plus 13th (9th and 11th not voiced).
M1311 | Major 7th plus sharp 11th and 13th (9th not voiced).
M6 | Major tiad with added 6th.
M7 | Major 7th.
M711 | Major 7th plus sharp 11th (9th omitted).
M75 | Major 7th with sharp 5th.
M7(add13) | 7th (including 5th) plus 13th and flat 9th (11th not voiced).
M7+5 | Major 7th with sharp 5th.
M7-5 | Major 7th with a flat 5th.
M75 | Major 7th with a flat 5th.
M9 | Major 7th plus 9th.
M911 | Major 9th plus sharp 11th.
add9 | Major chord plus sharp 9th (no 7th.)
add9 | Major chord plus 9th (no 7th.)
add9 | Major chord plus flat 9th (no 7th.)
aug | Augmented triad.
aug7 | An augmented chord (raised 5th) with a dominant 7th.
aug79 | An augmented chord (raised 5th) with a dominant 7th and sharp 9th.
aug79 | An augmented chord (raised 5th) with a dominant 7th and flat 9th.
aug9 | 7th plus 9th with sharp 5th (same as aug9).
aug9M7 | An augmented chord (raised 5th) with a major 7th and 9th.
dim | A dim7, not a triad!
dim3 | Diminished triad (non-standard notation).
dim7 | Diminished seventh.
dim7(addM7) | Diminished tirad with added Major 7th.
m | Minor triad.
m5 | Minor triad with augmented 5th.
m7 | Minor Triad plus Major 7th. You will also see this printed as “m(maj7)”, “m+7”, “min(maj7)” and “min7” (which MMA accepts); as well as the MMA invalid forms: “-(7)”, and “min7”.
m(add9) | Minor triad plus 9th (no 7th).
m(5) | Minor triad with flat 5th (aka dim).
m(maj7) | Minor Triad plus Major 7th. You will also see this printed as “m(maj7)”, “m+7”, “min(maj7)” and “min7” (which MMA accepts); as well as the MMA invalid forms: “-(7)”, and “min7”.
m(sus9) | Minor triad plus 9th (no 7th).
m+5 | Minor triad with augmented 5th.
m+7 | Minor Triad plus Major 7th. You will also see this printed as “m(maj7)”, “m+7”, “min(maj7)” and “min7” (which MMA accepts); as well as the MMA invalid forms: “-(7)”, and “min7”.
m+79 | Augmented minor 7 plus sharp 9th.
m+79 | Augmented minor 7 plus flat 9th.
m+7911 | Augmented minor 7th with flat 9th and sharp 11th.
m11 | 9th with minor 3rd, plus 11th.
m115 | Minor 7th with flat 5th plus 11th.
m13 | Minor 7th (including 5th) plus 13th (9th and 11th not voiced).
m6 | Minor 6th (flat 3rd plus a 6th).
m6(add9) | Minor 6th with added 9th. This is sometimes notated as a slash chord in the form “m6/9”.
m69 | Minor 6th with added 9th. This is sometimes notated as a slash chord in the form “m6/9”.
m7 | Minor 7th (flat 3rd plus dominant 7th).
m75 | Minor 7th with sharp 5th.
m79 | Minor 7th with added sharp 9th.
m7(9) | Minor 7th with added sharp 9th.
m7(add11) | Minor 7th plus 11th.
m7(add13) | Minor 7th plus 13th.
m7(9) | Minor 7th with added flat 9th.
m7(omit5) | Minor 7th with unvoiced 5th.
m7-5 | Minor 7th, flat 5 (aka 1/2 diminished).
m75 | Minor 7th, flat 5 (aka 1/2 diminished).
m759 | Minor 7th with flat 5th and flat 9th.
m79 | Minor 7th with added flat 9th.
m7911 | Minor 7th plus flat 9th and sharp 11th.
m7omit5 | Minor 7th with unvoiced 5th.
m9 | Minor triad plus 7th and 9th.
m911 | Minor 7th plus 9th and sharp 11th.
m95 | Minor triad, flat 5, plus 7th and 9th.
mM7 | Minor Triad plus Major 7th. You will also see this printed as “m(maj7)”, “m+7”, “min(maj7)” and “min7” (which MMA accepts); as well as the MMA invalid forms: “-(7)”, and “min7”.
mM7(add9) | Minor Triad plus Major 7th and 9th.
maj13 | Major 7th (including 5th) plus 13th (9th and 11th not voiced).
maj7 | Major 7th.
maj9 | Major 7th plus 9th.
m5 | Minor triad with flat 5th (aka dim).
min7 | Minor Triad plus Major 7th. You will also see this printed as “m(maj7)”, “m+7”, “min(maj7)” and “min7” (which MMA accepts); as well as the MMA invalid forms: “-(7)”, and “min7”.
min(maj7) | Minor Triad plus Major 7th. You will also see this printed as “m(maj7)”, “m+7”, “min(maj7)” and “min7” (which MMA accepts); as well as the MMA invalid forms: “-(7)”, and “min7”.
omit3(add9) | Triad: root, 5th and 9th.
omit3add9 | Triad: root, 5th and 9th.
sus | Suspended 4th, major triad with the 3rd raised half tone.
sus(add9) | Suspended 4th, major triad with the 3rd raised half tone plus sharp 9th.
sus(add9) | Suspended 4th, major triad with the 3rd raised half tone plus 9th.
sus(add9) | Suspended 4th, major triad with the 3rd raised half tone plus flat 9th.
sus2 | Suspended 2nd, major triad with the major 2nd above the root substituted for 3rd.
sus4 | Suspended 4th, major triad with the 3rd raised half tone.
sus9 | 7sus plus 9th.

In modern pop charts the “M” in a major 7th chord (and other major chords) is often represented by a “”. When entering these chords, just replace the “” with an “M”. For example, change “G7” to “GM7”.

A chord name without a type is interpreted as a major chord (or triad). For example, the chord “C” is identical to “CM”.

There are also two not-chord items: “z” and “z!”. These are MMA 's idea of rests. See details here.

MMA has an large set of defined chords. However, you can add your own with the DEFCHORD command, details here.

##
Octave Adjustment

Depending on the key and chord sequence, a chord may end up in the wrong octave. This is caused by MMA 's internal routines which create a chord: all of the tables are maintained for a “C” chord and the others are derived from that point by subtracting or adding a constant. To compensate you can add a leading “-” or “+” to the chordname to force the movement of that chord and scale up or down an octave.

For example, the following line will move the chord up and down for the third and fourth beats:

Cm Fm -Gm +D7

The effect of octave shifting is also highly dependent on the voicing options in effect for the track.

You'll have to listen to the MMA output to determine when and where to use this adjustment. Hopefully, it won't be needed all that much.

If you have a large number of chords to adjust, use the CHORDADJUST command , here.

## Altered Chords

According to Standardized Chord Symbol Notation altered chords should be written in the form Cmi . However, this is pretty hard to type (and parse). So, we've used the convention that the altered intervals should be written in numerical order: Cm59. Also, note that we use “m” for “minor” which appears to be more the conventional method than “mi”.

## Diminished Chords

In most pop and jazz charts it is assumed that a diminished chord is always a diminished 7th ... a diminished triad is never played. MMA continues this, sometimes erroneous assumption.A.1 You can change the behavior in several ways: change the chord notes and scale for a “dim” from a dim7 to a triad by following the instructions here; use the slightly oddball notation of “m5” which generates a “diminished triad”; or use the more-oddball notation “dim3”.

Notational notes: In printed music a “diminished” chord is sometimes represented with a small circle symbol (e.g. “FO”) and a “half-diminished” as a small slashed circle (e.g., “CØ”).

A half-diminished chord in MMA is specified with the notation “m75”.

## Slash Chords

Charts sometimes use slash chords in the form “Am/E”. This notation is used, mainly, to indicate chord inversions. For example, the chord notes in “Am/E” become “E”, “A” and “C” with the “E” taking the root position. MMA will accept chords of this type. However, you may not notice any difference in the generated tracks due to the inversions used by the current pattern.

You may also encounter slash chords where the slash-part of the chord is not a note in the chord. Consider the ambiguous notation “Dm/C”. The composer (or copyist) might mean to add a “C” bass note to a “Dm” chord, or she might mean “Dm7”, or even an inverted “Dm7”. MMA will handle these ... almost perfectly. When the “slash” part of the chord indicates a note which is not a note in the chord, MMA assumes that the indicated note should be used in the bass line. Since each chord generated by MMA also has a “scale” associated with it for use by bass and scale patterns this works. For example, a C Major chord will have the scale “c, d, e, f, g, a, b”; a C Minor chord has the same scale, but with an e. If the slash note is contained in the scale, the scale will be rotated so that the note becomes the “root” note.

A warning message will be printed if the note is not in both the chord and the scale.

Another notation you may see is something like “Dm/9”. Again, the meaning is not clear. It probably means a “Dm9”, or “Dm9/E” ... but since MMA isn't sure this notation will generate an error.

Please note that for fairly obvious reasons you cannot have both slash notation and an inversion (see the next section).

For more details on “slash chords” your favorite music theory book or teacher is highly recommended!

## Chord Inversions

Instead of using a slash chord you can specify an inversion to use with a chord. The notation is simply an “>” and a number between -5 and 5 immediately following the chord name.

The chord will be “rotated” as specified by the value after the “>”.

For example, the chord “C>2” will generate the notes G, C and E; “F>-1” gives C, F and A.

There is an important difference between this option and a slash chord: in inversions neither the root note nor the associated scale are modified.

##
Barre Settings

It is possible to set a barre for a chord in a PLECTRUM track by adding a “:” and a value to the chordname. A barre setting must be the last item in a chordname and is only used by PLECTRUM tracks. Barre values must be in the range -20 to 20. Examples include “Cm:3”, “E7>2:-2” and “+F:4”.

Important: unlike a real instrument, MMA barre chords do not change the pitch (transpose) the chord. The same chord is played, but with a higher tonality.

#
MIDI Voices

When setting a voice for a track (i.e. Bass Voice NN), you can specify the patch to use with a symbolic constant. Any combination of upper and lower case is permitted. The following are the names with the equivalent voice numbers:

## Voices, Alphabetically

5thSawWave | 86
Accordion | 21
AcousticBass | 32
AgogoBells | 113
AltoSax | 65
Applause/Noise | 126
Atmosphere | 99
BagPipe | 109
Bandoneon | 23
Banjo | 105
BaritoneSax | 67
Bass&Lead | 87
Bassoon | 70
BirdTweet | 123
BottleBlow | 76
BowedGlass | 92
BrassSection | 61
BreathNoise | 121
Brightness | 100
Celesta | 8
Cello | 42
Charang | 84
ChifferLead | 83
ChoirAahs | 52
ChurchOrgan | 19
Clarinet | 71
Clavinet | 7
CleanGuitar | 27
ContraBass | 43
Crystal | 98
DistortonGuitar | 30
EchoDrops | 102
EnglishHorn | 69
EPiano | 5
Fantasia | 88
Fiddle | 110
FingeredBass | 33
Flute | 73
FrenchHorn | 60
FretlessBass | 35
Glockenspiel | 9
Goblins | 101
GuitarFretNoise | 120
GuitarHarmonics | 31
GunShot | 127
HaloPad | 94
Harmonica | 22
HarpsiChord | 6
HelicopterBlade | 125
Honky-TonkPiano | 3
IceRain | 96
JazzGuitar | 26
Kalimba | 108
Koto | 107
Marimba | 12
MelodicTom1 | 117
MetalPad | 93
MusicBox | 10
MutedGuitar | 28
MutedTrumpet | 59
NylonGuitar | 24
Oboe | 68
Ocarina | 79
OrchestraHit | 55
OrchestralHarp | 46
Organ1 | 16
Organ2 | 17
Organ3 | 18
OverDriveGuitar | 29
PanFlute | 75
Piano1 | 0
Piano2 | 1
Piano3 | 2
Piccolo | 72
PickedBass | 34
PizzicatoString | 45
PolySynth | 90
Recorder | 74
ReedOrgan | 20
ReverseCymbal | 119
RhodesPiano | 4
Santur | 15
SawWave | 81
SeaShore | 122
Shakuhachi | 77
Shamisen | 106
Shanai | 111
Sitar | 104
SlapBass1 | 36
SlapBass2 | 37
SlowStrings | 49
SoloVoice | 85
SopranoSax | 64
SoundTrack | 97
SpaceVoice | 91
SquareWave | 80
StarTheme | 103
SteelDrums | 114
SteelGuitar | 25
Strings | 48
SweepPad | 95
SynCalliope | 82
SynthBass1 | 38
SynthBass2 | 39
SynthBrass1 | 62
SynthBrass2 | 63
SynthDrum | 118
SynthStrings1 | 50
SynthStrings2 | 51
SynthVox | 54
TaikoDrum | 116
TelephoneRing | 124
TenorSax | 66
Timpani | 47
TinkleBell | 112
TremoloStrings | 44
Trombone | 57
Trumpet | 56
Tuba | 58
TubularBells | 14
Vibraphone | 11
Viola | 41
Violin | 40
VoiceOohs | 53
WarmPad | 89
Whistle | 78
WoodBlock | 115
Xylophone | 13

## Voices, By MIDI Value

0 | Piano1
1 | Piano2
2 | Piano3
3 | Honky-TonkPiano
4 | RhodesPiano
5 | EPiano
6 | HarpsiChord
7 | Clavinet
8 | Celesta
9 | Glockenspiel
10 | MusicBox
11 | Vibraphone
12 | Marimba
13 | Xylophone
14 | TubularBells
15 | Santur
16 | Organ1
17 | Organ2
18 | Organ3
19 | ChurchOrgan
20 | ReedOrgan
21 | Accordion
22 | Harmonica
23 | Bandoneon
24 | NylonGuitar
25 | SteelGuitar
26 | JazzGuitar
27 | CleanGuitar
28 | MutedGuitar
29 | OverDriveGuitar
30 | DistortonGuitar
31 | GuitarHarmonics
32 | AcousticBass
33 | FingeredBass
34 | PickedBass
35 | FretlessBass
36 | SlapBass1
37 | SlapBass2
38 | SynthBass1
39 | SynthBass2
40 | Violin
41 | Viola
42 | Cello
43 | ContraBass
44 | TremoloStrings
45 | PizzicatoString
46 | OrchestralHarp
47 | Timpani
48 | Strings
49 | SlowStrings
50 | SynthStrings1
51 | SynthStrings2
52 | ChoirAahs
53 | VoiceOohs
54 | SynthVox
55 | OrchestraHit
56 | Trumpet
57 | Trombone
58 | Tuba
59 | MutedTrumpet
60 | FrenchHorn
61 | BrassSection
62 | SynthBrass1
63 | SynthBrass2
64 | SopranoSax
65 | AltoSax
66 | TenorSax
67 | BaritoneSax
68 | Oboe
69 | EnglishHorn
70 | Bassoon
71 | Clarinet
72 | Piccolo
73 | Flute
74 | Recorder
75 | PanFlute
76 | BottleBlow
77 | Shakuhachi
78 | Whistle
79 | Ocarina
80 | SquareWave
81 | SawWave
82 | SynCalliope
83 | ChifferLead
84 | Charang
85 | SoloVoice
86 | 5thSawWave
87 | Bass&Lead
88 | Fantasia
89 | WarmPad
90 | PolySynth
91 | SpaceVoice
92 | BowedGlass
93 | MetalPad
94 | HaloPad
95 | SweepPad
96 | IceRain
97 | SoundTrack
98 | Crystal
99 | Atmosphere
100 | Brightness
101 | Goblins
102 | EchoDrops
103 | StarTheme
104 | Sitar
105 | Banjo
106 | Shamisen
107 | Koto
108 | Kalimba
109 | BagPipe
110 | Fiddle
111 | Shanai
112 | TinkleBell
113 | AgogoBells
114 | SteelDrums
115 | WoodBlock
116 | TaikoDrum
117 | MelodicTom1
118 | SynthDrum
119 | ReverseCymbal
120 | GuitarFretNoise
121 | BreathNoise
122 | SeaShore
123 | BirdTweet
124 | TelephoneRing
125 | HelicopterBlade
126 | Applause/Noise
127 | GunShot

#
Drum Notes

When defining a drum tone, you can specify the patch to use with a symbolic constant. Any combination of upper and lower case is permitted. In addition to the drum tone name and the MIDI value, the equivalent “name” in is included. The “names” may help you find the tones on your keyboard.

## Drum Notes, Alphabetically

Cabasa | 69
Castanets | 84
ChineseCymbal | 52
Claves | 75
ClosedHiHat | 42
CowBell | 56
CrashCymbal1 | 49
CrashCymbal2 | 57
HandClap | 39
HighAgogo | 67
HighBongo | 60
HighQ | 27
HighTimbale | 65
HighTom1 | 50
HighTom2 | 48
HighWoodBlock | 76
JingleBell | 83
KickDrum1 | 36
KickDrum2 | 35
LongGuiro | 74
LongLowWhistle | 72
LowAgogo | 68
LowBongo | 61
LowConga | 64
LowTimbale | 66
LowTom1 | 43
LowTom2 | 41
LowWoodBlock | 77
Maracas | 70
MetronomeBell | 34
MetronomeClick | 33
MidTom1 | 47
MidTom2 | 45
MuteCuica | 78
MuteHighConga | 62
MuteSudro | 85
MuteTriangle | 80
OpenCuica | 79
OpenHighConga | 63
OpenHiHat | 46
OpenSudro | 86
OpenTriangle | 81
PedalHiHat | 44
RideBell | 53
RideCymbal1 | 51
RideCymbal2 | 59
ScratchPull | 30
ScratchPush | 29
Shaker | 82
ShortGuiro | 73
ShortHiWhistle | 71
SideKick | 37
Slap | 28
SnareDrum1 | 38
SnareDrum2 | 40
SplashCymbal | 55
SquareClick | 32
Sticks | 31
Tambourine | 54
VibraSlap | 58

## Drum Notes, by MIDI Value

27 | HighQ
28 | Slap
29 | ScratchPush
30 | ScratchPull
31 | Sticks
32 | SquareClick
33 | MetronomeClick
34 | MetronomeBell
35 | KickDrum2
36 | KickDrum1
37 | SideKick
38 | SnareDrum1
39 | HandClap
40 | SnareDrum2
41 | LowTom2
42 | ClosedHiHat
43 | LowTom1
44 | PedalHiHat
45 | MidTom2
46 | OpenHiHat
47 | MidTom1
48 | HighTom2
49 | CrashCymbal1
50 | HighTom1
51 | RideCymbal1
52 | ChineseCymbal
53 | RideBell
54 | Tambourine
55 | SplashCymbal
56 | CowBell
57 | CrashCymbal2
58 | VibraSlap
59 | RideCymbal2
60 | HighBongo
61 | LowBongo
62 | MuteHighConga
63 | OpenHighConga
64 | LowConga
65 | HighTimbale
66 | LowTimbale
67 | HighAgogo
68 | LowAgogo
69 | Cabasa
70 | Maracas
71 | ShortHiWhistle
72 | LongLowWhistle
73 | ShortGuiro
74 | LongGuiro
75 | Claves
76 | HighWoodBlock
77 | LowWoodBlock
78 | MuteCuica
79 | OpenCuica
80 | MuteTriangle
81 | OpenTriangle
82 | Shaker
83 | JingleBell
84 | Castanets
85 | MuteSudro
86 | OpenSudro

#
MIDI Controllers

When specifying a MIDI Controller in a MIDISEQ or MIDIVOICE command you can use the absolute value in (either as a decimal number or in hexadecimal by prefixing the value with a “0x”), or the symbolic name in the following tables. The tables have been extracted from information at `http://www.midi.org/about-midi/table3.shtml`. Note that all the values in these tables are in hexadecimal notation.

Complete reference for this is not a part of MMA . Please refer to a detailed text on MIDI or the manual for your synthesizer.

## Controllers, Alphabetically

AllNotesOff | 123
AllSoundsOff | 120
AttackTime | 73
Balance | 8
BalanceLSB | 40
Bank | 0
BankLSB | 32
Breath | 2
BreathLSB | 34
Brightness | 74
Chorus | 93
Ctrl102 | 102
Ctrl103 | 103
Ctrl104 | 104
Ctrl105 | 105
Ctrl106 | 106
Ctrl107 | 107
Ctrl108 | 108
Ctrl109 | 109
Ctrl110 | 110
Ctrl111 | 111
Ctrl112 | 112
Ctrl113 | 113
Ctrl114 | 114
Ctrl115 | 115
Ctrl116 | 116
Ctrl117 | 117
Ctrl118 | 118
Ctrl119 | 119
Ctrl14 | 14
Ctrl15 | 15
Ctrl20 | 20
Ctrl21 | 21
Ctrl22 | 22
Ctrl23 | 23
Ctrl24 | 24
Ctrl25 | 25
Ctrl26 | 26
Ctrl27 | 27
Ctrl28 | 28
Ctrl29 | 29
Ctrl3 | 3
Ctrl30 | 30
Ctrl31 | 31
Ctrl35 | 35
Ctrl41 | 41
Ctrl46 | 46
Ctrl47 | 47
Ctrl52 | 52
Ctrl53 | 53
Ctrl54 | 54
Ctrl55 | 55
Ctrl56 | 56
Ctrl57 | 57
Ctrl58 | 58
Ctrl59 | 59
Ctrl60 | 60
Ctrl61 | 61
Ctrl62 | 62
Ctrl63 | 63
Ctrl79 | 79
Ctrl85 | 85
Ctrl86 | 86
Ctrl87 | 87
Ctrl88 | 88
Ctrl89 | 89
Ctrl9 | 9
Ctrl90 | 90
Data | 6
DataDec | 97
DataInc | 96
DataLSB | 38
DecayTime | 75
Detune | 94
Effect1 | 12
Effect1LSB | 44
Effect2 | 13
Effect2LSB | 45
Expression | 11
ExpressionLSB | 43
Foot | 4
FootLSB | 36
General1 | 16
General1LSB | 48
General2 | 17
General2LSB | 49
General3 | 18
General3LSB | 50
General4 | 19
General4LSB | 51
General5 | 80
General6 | 81
General7 | 82
General8 | 83
Hold2 | 69
Legato | 68
LocalCtrl | 122
Modulation | 1
ModulationLSB | 33
NonRegLSB | 98
NonRegMSB | 99
OmniOff | 124
OmniOn | 125
Pan | 10
PanLSB | 42
Phaser | 95
PolyOff | 126
PolyOn | 127
Portamento | 65
PortamentoCtrl | 84
PortamentoLSB | 37
RegParLSB | 100
RegParMSB | 101
ReleaseTime | 72
ResetAll | 121
Resonance | 71
Reverb | 91
SoftPedal | 67
Sostenuto | 66
Sustain | 64
Tremolo | 92
Variation | 70
VibratoDelay | 78
VibratoDepth | 77
VibratoRate | 76
Volume | 7
VolumeLSB | 39

## Controllers, by Value

0 | Bank
1 | Modulation
2 | Breath
3 | Ctrl3
4 | Foot
5 | Portamento
6 | Data
7 | Volume
8 | Balance
9 | Ctrl9
10 | Pan
11 | Expression
12 | Effect1
13 | Effect2
14 | Ctrl14
15 | Ctrl15
16 | General1
17 | General2
18 | General3
19 | General4
20 | Ctrl20
21 | Ctrl21
22 | Ctrl22
23 | Ctrl23
24 | Ctrl24
25 | Ctrl25
26 | Ctrl26
27 | Ctrl27
28 | Ctrl28
29 | Ctrl29
30 | Ctrl30
31 | Ctrl31
32 | BankLSB
33 | ModulationLSB
34 | BreathLSB
35 | Ctrl35
36 | FootLSB
37 | PortamentoLSB
38 | DataLSB
39 | VolumeLSB
40 | BalanceLSB
41 | Ctrl41
42 | PanLSB
43 | ExpressionLSB
44 | Effect1LSB
45 | Effect2LSB
46 | Ctrl46
47 | Ctrl47
48 | General1LSB
49 | General2LSB
50 | General3LSB
51 | General4LSB
52 | Ctrl52
53 | Ctrl53
54 | Ctrl54
55 | Ctrl55
56 | Ctrl56
57 | Ctrl57
58 | Ctrl58
59 | Ctrl59
60 | Ctrl60
61 | Ctrl61
62 | Ctrl62
63 | Ctrl63
64 | Sustain
65 | Portamento
66 | Sostenuto
67 | SoftPedal
68 | Legato
69 | Hold2
70 | Variation
71 | Resonance
72 | ReleaseTime
73 | AttackTime
74 | Brightness
75 | DecayTime
76 | VibratoRate
77 | VibratoDepth
78 | VibratoDelay
79 | Ctrl79
80 | General5
81 | General6
82 | General7
83 | General8
84 | PortamentoCtrl
85 | Ctrl85
86 | Ctrl86
87 | Ctrl87
88 | Ctrl88
89 | Ctrl89
90 | Ctrl90
91 | Reverb
92 | Tremolo
93 | Chorus
94 | Detune
95 | Phaser
96 | DataInc
97 | DataDec
98 | NonRegLSB
99 | NonRegMSB
100 | RegParLSB
101 | RegParMSB
102 | Ctrl102
103 | Ctrl103
104 | Ctrl104
105 | Ctrl105
106 | Ctrl106
107 | Ctrl107
108 | Ctrl108
109 | Ctrl109
110 | Ctrl110
111 | Ctrl111
112 | Ctrl112
113 | Ctrl113
114 | Ctrl114
115 | Ctrl115
116 | Ctrl116
117 | Ctrl117
118 | Ctrl118
119 | Ctrl119
120 | AllSoundsOff
121 | ResetAll
122 | LocalCtrl
123 | AllNotesOff
124 | OmniOff
125 | OmniOn
126 | PolyOff
127 | PolyOn

#### Footnotes

... assumption.A.1
  Sometimes a reliable source agrees with us ... in this case Standardized Chord Symbol Notation is quite clear that “dim” is a Diminished 7th and a diminished triad should be notated as mi.