The Alternative Csound Reference Manual
Previous |  | Next

# midipolyaftertouch

midipolyaftertouch -- Gets a MIDI polyphonic aftertouch value.

## Description

midipolyaftertouch is designed to simplify writing instruments that can be used interchangeably for either score or MIDI input, and to make it easier to adapt instruments originally written for score input to work with MIDI input.

In general, it should be possible to write instrument definitions that work identically with both scores and MIDI, including both MIDI files and real-time MIDI input, without using any conditional statements, and that take full advantage of MIDI voice messages.

Note that correlating Csound instruments with MIDI channel numbers is done using the massign opcode for real-time performance,. For file-driven performance, instrument numbers default to MIDI channel number + 1, but the defaults are overridden by any MIDI program change messages in the file.

## Syntax

midipolyaftertouch xpolyaftertouch, xcontrollervalue [, ilow] [, ihigh]

## Initialization

ilow (optional) -- optional low value after rescaling, defaults to 0.

ihigh (optional) -- optional high value after rescaling, defaults to 127.

## Performance

xpolyaftertouch -- returns MIDI polyphonic aftertouch during MIDI activation, remains unchanged otherwise.

xcontrollervalue -- returns the value of the MIDI controller during MIDI activation, remains unchanged otherwise.

If the instrument was activated by MIDI input, the opcode overwrites the values of xpolyaftertouch and xcontrollervalue with the corresponding values from MIDI input. If the instrument was NOT activated by MIDI input, the values of xpolyaftertouch and xcontrollervalue remain unchanged.

This enables score p-fields to receive MIDI input data during MIDI activation, and score values otherwise.

| Adapting a score-activated Csound instrument.
- | To adapt an ordinary Csound instrument designed for score activation for score/MIDI interoperability: Change all linen, linseg, and expseg opcodes to linenr, linsegr, and expsegr, respectively, except for a de-clicking or damping envelope. This will not materially change score-driven performance. Add the following lines at the beginning of the instrument definition:
      ; Ensures that a MIDI-activated instrument
      ; will have a positive p3 field.
      mididefault 60, p3
      ; Puts MIDI key translated to cycles per
      ; second into p4, and MIDI velocity into p5
      midinoteoncps p4, p5
Obviously, midinoteoncps could be changed to midinoteonoct or any of the other options, and the choice of p-fields is arbitrary.

## See Also

midichannelaftertouch, midicontrolchange, mididefault, midinoteoff, midinoteoncps, midinoteonkey, midinoteonoct, midinoteonpch, midipitchbend, midiprogramchange

## Credits

Author: Michael Gogins

New in version 4.20

Previous | Home | Next
midipitchbend | Up | midiprogramchange